(See Rule #2) Somehow or another, we come back to that bone. (The big pay-off!) The test of a great play is SELF DISCOVERY.ġ2) EVERY DETAIL COMES TOGETHER IN THE END. Fuck Brecht! We want to relate!ġ1) REMEMBER THAT THE CLIMAX IS WHERE A PLAY WINS OR LOSES! The audience is rewarded for their attention. These are windows that allow us to enter your world. If your protagonist ends up in the same place he started, he must go through Hell and back to get there.ġ0) FIND WHAT IS UNIVERSAL IN YOUR SCRIPT. Comedies and dramas for school performances. We have short scripts for teens, one-act plays, full-length plays, and scenes. BIG THINGS HAPPENnot everyday life with endless pouring of coffee and lighting of cigarettes. Royalty-free plays for middle school and high school students. Youve got ten minutestheres no time for anything extraneous. Rememberwe are fascinated by the unknown 2) EVERY DETAIL MUST RELATE TO THE ACTION OF THE PLAY. This presents a puzzle for the audience to unravel and allows them to play with you. He should end up someplace radically different from where he began. 1) NO EXPOSITION Just jump into your story. They may escape with their livesbut just barely!ĩ) EVERY PROTAGONIST MUST HAVE A JOURNEY.
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Now there is no turning back!Ĩ) NEVER LET YOUR CHARACTERS OFF TOO EASY! If you do, what they’ve just been through won’t have meant anything. Images are more powerful than words!ħ) EVERY GREAT PLAY HAS A POINT OF NO RETURN.
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If there is no disparity between what your characters are saying and what they are doing, you probably aren’t writing theatre.Ħ) DON’T WASTE TIME TALKING ABOUT ANYTHING YOU CAN SHOW. Real characters are excessive in some areas. And not that I couldn’t use the overtime. Not that I’m a proverbial stickler for whatever punctual people stickle for. But at ten minutes to midnight, I’m always here in my office, watching the clock. How are they fulfilled? How are they not fulfilled? How do they turn in on themselves?ĥ) A CHARACTER SHOULD BE OFF-BALANCE IN SOME WAY. After midnight, you’ll catch me drowning my proverbial sorrows at the five-star dive bar in the lobby of that hotel. More than anything else, this will give your play a sense of unity.Ĥ) A CHARACTER SPEAKS TO GET WHAT HE WANTS. (Although at first it may appear to be so!) If you are writing a play about dogs, the curtain goes up, and there on the stage is a bone.ģ) KNOW WHAT YOUR PLAY IS ABOUT AND WRITE INTO THE METAPHOR. You've got ten minutesthere's no time for anything extraneous. First Characters Redemption: A play focused on a flawed main character seeking redemption.
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Serial Killers Monologue: Write a monologue from a serial killers perspective, exploring his inner turmoil. Rememberwe are fascinated by the unknown!Ģ) EVERY DETAIL MUST RELATE TO THE ACTION OF THE PLAY. Two Characters, One Night: A play featuring two characters who spend one unforgettable night together. 1) NO EXPOSITION! Just jump into your story.